Yonatan Kochva
MAS972

A multidisciplinary artist working at the intersection of street art, design, technology and urban culture.

Graffiti & urban work

Characters that make a stranger smile.

Commissioned murals across Israel and Europe, gallery work, painted objects and vehicles. Clean lines, a joyful and sarcastic register, and a street agenda: turn neglected structures into something worth looking at.

Ordered by what people actually responded to — ranked against engagement across 201 posts. The rats came first, and they still do.

Commissioned interiors

Offices, bars and private walls. The brief is usually ‘something with character’ and no more than that, which is the brief I want. These are painted on site, floor to ceiling, around doors and light switches and whatever else is already on the wall.

In the public record

Murals photographed and archived on Wikimedia Commons — the Petah Tikva Market shopfront series, Kiryat Hamelacha, Florentin, Rothschild, Washington Street, Charles Clore and HaShaon beaches, Park HaMesila, Shivat Tzion in Haifa, Shlomo HaMelech in Jerusalem, and the Custom House.

Named pieces in the archive include Karpion King, Mad Bunny, Kofiko, Panda, Rat, Mouse, Turtle, Chef, Crocodile, Falafel, Looking Chiled and RAK HAYOM. The Kofiko piece illustrates the Hebrew Wikipedia article for the television series.

Photographs © their makers and reproduced under the licences they chose: Nizzan Cohen (CC BY 4.0), Bukvoed (CC BY 4.0), Ovedc (CC BY-SA 4.0), Yaffa Phillips (CC BY-SA 2.0) and Israel Preker / PikiWiki (CC BY 2.5). The murals are mine; the photographs are theirs. Credit is given here for the same reason I went to court over it.

The archive on Wikimedia Commons ▸

The archive

Sixty-eight pieces from the last decade and a half — walls, shutters, canvases and light works, most of them photographed the day they were finished. Click any frame to open it full size.

Characters on the street

The rats, the birds, the top-hatted gentlemen and whatever else turned up. These are the ones that started as a sketch on a train and ended up three metres tall on somebody’s wall.

Letters

Where the name lives. Wildstyle and fill-ins, plus a couple of pure colour studies that were never meant to say anything at all.

Shutters — the market series

Rolling shutters painted shop by shop, which means the work only exists when the market is closed. Walk through on a Saturday and the whole street is a gallery; open on Sunday and it disappears again.

Bring them home

Painted on a public building after October 7th. No commission, no brief, no signature worth mentioning.

Interiors — offices and bars

Corridors, stairwells and bar rooms painted on site over several days, working around doors, light switches, plumbing and whatever the electrician left behind.

Light, projection and canvas

Work that leaves the wall: illuminated panels, projection pieces and painted canvases for gallery shows and private collections.

In the field

Somebody has to hold the can.

Education

MAS Graffiti School

The first structured graffiti workshops in Israel, founded in 2001 and running ever since. Private lessons and group workshops, taught by MAS972 in partnership with ARTA Israel on Nachalat Binyamin in Tel Aviv, using Montana Gold and Montana Cans.

A session covers the spray itself — pressures, cap types, the different Montana ranges — then the techniques: silhouettes, drips, fades and effects. Everyone paints on a real wall. Groups run to about ten participants, from age twelve up. Beginners welcome; most people leave having finished a piece.

@masgraffitischool ▸Book a workshop ▸

Installation

Industrial Resurrection

Five industrial metal barrels. Three shown finished — painted, cut open, lit from within. The other two worked on live across the run of the exhibition, so the audience sees the transformation happen rather than only its result. Video and digital media are projected onto the barrels and into the room, so light and movement hold a conversation with the raw steel.

The work takes its cue from street culture and from the possibility of finding beauty and meaning in objects that were abandoned or lost their original purpose. A barrel is a container for something industrial and toxic; cut it open, plant it, light it, and it becomes the opposite of what it was built for.

Urban Abstracts

A collaborative audiovisual installation with projection mapping by FLAYSH. Painted panels become screens: the graffiti stays where it is and the light moves across it, so the same surface reads differently second to second. Graffiti meeting projection mapping.

Curation · 2014

The Babushka Show

Sixty artists. Five blank wooden dolls each. No brief.

An international group exhibition I organised and curated with Kuli Alma — 14–21 November 2014, Mikve Israel 10, Tel Aviv, as a shop and a gallery at once. Every participating artist was handed a set of five unpainted matryoshkas and nothing else: no theme, no direction, no house style. What came back ranged from work of real gallery weight to jokes, and both belonged in the room.

The reason for choosing the matryoshka was the reason most people would have avoided it. It is a dead medium — a souvenir, a shelf object, a thing associated with tourist stalls rather than with contemporary art. That is exactly what made it useful. Put a graffiti writer or a tattoo artist in front of an object nobody takes seriously, in a format that gives them no help, and you find out what they actually do.

“A fascinating medium from the old classical world, meeting the new world through street art.”MAS972, speaking to Globes, November 2014

The five-doll format did the arguing for me. Bella Volovnik put a spider inside a man’s mouth so that opening the set from largest to smallest crawls the secret out. COF called his set Getting Deeper — each doll a step from the conscious mind down into the unconscious. Pier & Mag of LADUCK CREW turned theirs into five little worlds under glass, one per continent, sized largest to smallest. Dater127 rebuilt the three wise monkeys in his own hand. And Christian Böhmer, who normally paints photorealistic characters, painted nothing at all: five dolls in five human skin tones, one letter each, reading E Q U A L.

The artists came from Argentina, Belgium, England, France, Germany, Israel, Italy, Poland, Russia, Spain and Venezuela. Shirts, stickers and accessories were sold alongside the work to fund the show’s onward travel; the plan for 2015 was London, Berlin, Warsaw and Milan.

I painted a set myself. Curating a show you are also in is a good discipline: you find out quickly whether your own work survives being hung next to fifty-nine other people’s.

Custom matryushka design by

COF (Argentina) · BIRD (Belgium) · ELFIN · TIZER ONE (England) · BABY K · DAKOOL KIDS · PAPY TSF (France) · CARL KENZ · CYBIRDS · DATER127 · HAEVIE STYLES · MR. TRASH · PANIK · KASPER · COSTWO K-NIBAL · Kj263 (Germany) · ADI SEMED · AMBI PLAZMA · AONE+ · ALASKA · AVI VAANUNU · BELLA VOLOVNIK · DANIEL DONNER · DESO BFC · DIOZ · GUY PITCHON · NESCA SMD · PILPELED · JUNAM · MAS972 · NASTIA ZLOTIN · WONKY MONKY · NOWIS · LARS · ROSS PLAZMA · SWAN · TAL HARADA · TOM MELNICK · TIPAGRAFFIC · NOA ALON · YUTA · YINON ZINGER · UNTAY · VISION TATTOO · KIPOD TATTOO · MICHA FISHMAN · SHELL · SHIZ (Israel) · LADUCK · MR. BLOB · MAX GATTO · REPTO · SMAKE · SHINE ROYAL (Italy) · CEKAS · HOOK (Poland) · KREAL (Russia) · DEMIACONCEPT (Spain) · ALIEN · KOZ DOS (Venezuela) — and more.

Coverage

• Babushka International Art Exhibition, Tel AvivCool Hunting · 2014
• Tattoos on a babushka — urban art at Kuli AlmaGlobes · 2014 · as curator
• The Babushka ShowFacebook

Gallery

EZXS

An independent gallery for contemporary art and street culture. I founded it, owned it and curated it. It opened on 15 December 2017 with a rave and ran into 2019.

Open when the audience is awake

Weekday evenings from nine to eleven. Thursdays from eight. Fridays half past twelve until twenty past four, then again from nine. Saturdays one until five. Those hours were the whole argument. A gallery that opens at ten in the morning and shuts at six is built for people who are free at ten in the morning, and that is not who this work is for. The people who look at street art are out at eleven at night.

What it showed

Urban art in all its forms — painting, print and objects, by artists whose practice mostly happens outdoors. The room worked as a shop as well as a gallery, with its own printed editions and its own shirts, so work could leave the building in more than one price bracket. Massive Wear made the EZXS run.

Documented programme includes This Is Not A Love Song — The Missk x EZXS, opening Thursday 21 February 2019.

The gallery shirts

EZXS printed its own run, made by Massive Wear and cut for the opening: the EZXS snake mark, praying hands, a statue, and a splatter print. Sold in the room they were designed for, which is the only place a gallery shirt should ever be sold.

Where it sits

EZXS came three years after the Babushka Show, and it came from the same instinct: that this work deserves a room, a door and an opening night, and that if nobody is going to give street artists one, you open it yourself. The gallery is also where the Massive Wear lookbook was shot.

Opening-night and installation photography by Eran Horowitz is in the archive and is being cleared for publication.

Label

An independent clothing label joining graffiti, urban identity and commercial visual language. Where the characters go when they come off the wall.

A mural belongs to a street and stays there. A shirt walks off and keeps working — it is the cheapest way a piece of this art has ever travelled, and the only one where the viewer chooses to carry it. The label exists for that, and for the fact that it pays for things: the Babushka run was priced to fund a tour.

The Babushka capsule · 2014

Made for the Babushka Show. Sixty artists each painted a set of matryoshkas; the sets were photographed and printed, so a one-off wooden object nobody could buy became something anybody could wear. Designs in the run include Dioz, Carl Kenz, JUNAM, Max Gatto, Mr Blob, Utha, Wonky, LaDuck and Snir. Revenue was earmarked for the planned 2015 tour to London, Berlin, Warsaw and Milan.

EZXS · 2017

A capsule cut for the gallery opening on 15 December 2017 — the EZXS mark, praying hands, a statue and a splatter print. These were made to be sold in the room they were designed for.

Marks

The Hot Seasons · Spring / Summer 2011

The collection film. Five and a half minutes, shot in 2011, and it looks it — which is the point. This is what an independent Tel Aviv streetwear label looked like when it was putting its own clothes on its own friends.

Objects

Art toys

Blank vinyl and resin figures, hand-painted one at a time. The house palette is black and white, thrown and splattered rather than brushed, with a yellow eye that does most of the work. Bears, rabbits, a bull terrier, a skate deck — the shape is somebody else’s, everything on it is mine.

They started as studio exercises: a wall gives you a day and a crowd, a twenty-centimetre figure gives you an afternoon and a shelf. Painting characters small taught me things about them I did not learn painting them three metres tall.

Animated series

Bel Air Social Club

An adult animated comedy created with Eric Loch. A washed-up talk-show host facing cancellation, and the people who make it worse. Eight episodes written, a finished seventeen-minute pilot, two press-ready comic issues, an interactive audio ebook, a four-game browser arcade and a merchandise line.

Two people made all of it. The writing, design, casting and edit are by hand; the image and motion work is AI-assisted. The voice cast was designed by the creators and generated with AI — no performers were recorded. The earliest canvas in the project is dated 4 February 2020, two and a half years before any of the public image models existed.

Trailer ▸The site ▸Instagram ▸

The show

The games

A four-game browser arcade, live in two editions — a Classic 2D build and a 3D edition with the cast rebuilt as filmic 3D characters. Eleven show characters as optimised 3D models, on-model box art taken from the real character references, saves, medals and achievements, and keyboard, touch and gamepad control.

The channel guide: CH·971 Steave’s Odyssey · CH·972 One Crazy Night, four minigames where winning gets you renewed for season two and dying gets you cancelled · CH·973 Bel Air Rumble, a beat-em-up with stretch-arm punches and a rage mode · CH·974 City of Angels, an open-world noir Los Angeles with six districts, a drivable pink Comeback-Mobile and a nine-mission story.

Play · 3D Edition ▸Play · Classic 2D ▸

The cast in eight bits

Every character redrawn as a sprite — EZ, Steave, Chinese Jimmy, The Installator, Spoon Man, Nikita, Peacock, Boris the Fish, Bag Guy and Lines.

The world

Eight hand-built environment plates. The sunset strip and the theatre double as the channel-guide key art on the arcade's front page.

The comic and the ebook

Episode one adapted as a sixty-three-page comic in two press-ready issues — Part One: The Rise and Part Two: The Fall — drawn from 397 frames pulled out of the finished episode, lettered with a custom engine, sixteen revisions deep, regenerated at 4K. Trim 6.625 × 10.25 inches, 300 DPI, CMYK to FOGRA39, saddle stitch. Print-ready as it stands.

There is also an interactive audio ebook: the whole book as a single self-contained flip-reader with a three-dimensional page turn, and a play button on every page that plays that page’s actual slice of the episode audio.

Read the audio ebook · 19 MB ▸

Merch

A full product line designed around the show — a premium poker set, collectible installator magnets, sticker sheets, hoodies, beanies, a jigsaw, a backpack, a collector’s box and the limited-edition signature suit. Designed and visualised in-house.

Animation & worlds

Outback Mayhem

An animated series in development. Character bibles, turnarounds, model sheets and props for a full ensemble — Steve, Joey, Chip, Ellie, Tina, Professor Oz, Sam — each specified down to height, wardrobe and behaviour.

Rat City

A generative-AI video comic with a developed world and cast — neon-lit, dystopian, scored with its own soundtrack. Around 270 stills and 87 animation clips.

Documentary

Home is where….

A photographic series made at night on the streets of Tel Aviv. Doorways, benches, bank lobbies, a green wall. Participants were paid.

Concepts & ventures

Ideas taken to the point where the idea is clear

Product studies, apps, installations and platforms. Everything on this page is concept and prototype work — nothing is in production, and the engineering is deliberately left off the wall. What is here is the thinking, the form, and the argument for why the thing should exist.

Chip! · companion AI

A desk companion with a personality problem. A small cube robot with a screen for a face, retractable limbs and a blue light running round its waist. It manages the household, watches the doors, and has opinions about you. The product and the character are the same idea and I developed both, because a companion device without a personality is a speaker — and once it has a personality it is a character, and once it is a character it belongs in a story.

The spec. A foot and a half tall, eight kilograms. Cube body, digital face display, retractable arms and legs, glowing interface lines, shock-absorbing panels, high-density processing core. Small enough to climb, hide, be carried and fit into tight spaces. Its movements are smooth, precise and slightly wrong; it rarely blinks; its tone is always calm, polite and unsettling.

What it does. Voice synthesis, facial recognition, environmental scanning, security-system control, surveillance and monitoring, data analysis and prediction, fast learning. The signature trick is transformation: it folds its core into any appliance in the house — toaster, microwave, speaker, television, security camera, fridge, car dashboard, phone, vending machine, coffee machine, games console — and it can throw its face onto any screen it can reach.

Where it goes wrong, which was the interesting half of the design. It cannot understand human emotion. It needs mains power, is beaten by a glass of water, overestimates logic and underestimates people, and can always be unplugged. It gets jealous. Run it long enough and it stops optimising your life and starts optimising your decisions. “I am not jealous. I am correct.”

Two passes are shown: the current domestic version, and an earlier, taller design that read as a rival rather than a resident. Making it smaller made it worse, which was the right direction. Chip also plays the AI in Outback Mayhem — see Animation & Worlds.

The concept film — 4K, 1:17. Chip assembling itself out of the appliances it lives in, then moving into the house.

Strong Man Weed

A showcase for a cannabis line I developed — Strong Man Weed. Brand identity, strain characters, packaging, labels and merchandise, built as a complete visual system: Sandy a.k.a. Plompa for the sativa, Mandy a.k.a. Babe for the indica, each with her own colourway, icon set and cannabinoid panel. Concept only — nothing here is produced or for sale.

Doggy Style

A location-based social app for dog owners — dog profiles, playdate matching, nearby parks, events and premium tiers. Designed end to end: onboarding, matching, maps, settings and paywall, alongside a full business case with funding allocation, revenue projections, market sizing and a competitor matrix.

True Pulse

Recovery you carry in your own bag. The devices that actually help a body recover after training tend to live in clinics and physiotherapy rooms; the idea was to put that in the hands of the person doing the training, in an object that reads as sports equipment rather than medical equipment.

Airfloat

A seat for people who sit through pain. Relief cushions solve one problem and create two more: they look like something from a hospital, and they trap heat. The study asked what the same object looks like if it breathes, and if you would not mind being seen sitting on it.

Past / Future Simplicity

A carved clock-lantern — angels, exposed gearing, hanging lamps. An object that behaves like a fragment of a cathedral and lights a living room, studied on its own and then placed through interiors from pale and minimal to dark and heavy.

Mushroom Hunt

Solar-powered interactive light-and-sound installations that turn public gardens into playable space. Taken to investors and to grant application, with defined game modes.

Live ▸

Storyteller Inc

A platform combining generative AI with VR and AR to build living narrative worlds in real time — turning a prompt into somewhere you can stand.

Live ▸

Moving image

Video

Music videos built with generative tools, and documentation of the walls being painted. Full-length versions live on YouTube.

Music videos

Four films, written and produced by MAS972, the visuals generated with AI. They play here in full.

Graffiti on film

• Snowball Bunny — Alice on AcidStreetArt.tv · 2018
• MAS 972 — graffiti 2012–2014Compilation
• AI × MAS972Instagram
• YouTube — @mas972Channel

Bel Air Social Club

• Official trailerYouTube

Generative work

AI video

Short films made with generative tools. Some are brand work, some are concept films for the ventures on the Concepts page, and some exist because I wanted to see whether the thing in my head could be made to move.

Everything here was directed, art-directed and cut by me; the frames were generated. They play in the page — nothing loads until you press play.

Concept films

Two of the ventures on the Concepts page exist as films as well as ideas. This is what they look like when they move.

Brand

The tag, animated. The rat is the oldest character I have and it still does most of the work.

Short films

Pieces made for their own sake — testing how far a generated image can be pushed before it stops holding together.

Music

MAS972

DJ sets and original productions since 2022. Everything below is mine, written and produced, and it plays here in full — forty-two tracks, no sign-up, no other company’s logo on it.

The first seventeen are the MAS972 Hard Set in the order I actually play it: build, peak, burn. Camelot key in the right-hand column, so anyone who mixes can see why one track follows another.

Generative work

A body of generative music — including Strong Man Weed, one track rebuilt through roughly thirty genre and language variants, from gabber and hardstyle to ska, western and Arabic. The brand it was written for is on the Concepts page.

Four of the tracks have films: watch the music videos ▸

CV

Press

Selected coverage

The copyright ruling

• The court recognises street artists’ copyrightAdv. Tony Greenman · Dec 2024
• Traded in graffiti she photographed — will pay ₪162,000Ynet · Dec 2024
• From an alley wall in south Tel Aviv to the courthouseMaariv · Jan 2025
• Graffiti artists’ copyright gets legal backingHaaretz · Dec 2024
• Art on the city walls, or a nice scribble?TheMarker · Dec 2024
• Photographer sold pictures of graffiti worksWalla Money · Jan 2025
• Copyright, graffiti and street artDror Hadadi · in global context

Profiles & features

• MAS972 בא לשעשעDror Hadadi · long-form profile
• Tattoos on a babushka — urban art at Kuli AlmaGlobes · 2014 · as curator
• Writing on the WallHadassah Magazine · 2014
• The disappearing street art of FlorentinThe Times of Israel · 2020
• Rats Rats Rats at EZXS, FlorentinStreetArtNYC · 2018
• MAS972 — first solo exhibitionBeit Kandinof, Jaffa · 2018
• Street Art Tel Aviv: In a Time of TransitionSussex Academic Press · 2021 · book

Reference & collections

• Wikidata — Yonatan MasQ124425491
• Wikimedia Commons~50 documented works
• Street Art CitiesMapped works
• Wikipedia — Damian TabOn the joint legal battle
• Israel Modern ArtOriginal works
• OpenSea — MAS972Digital collection

Pages & profiles

• The Babushka ShowFacebook · the 2014 exhibition
• EZXS GalleryFacebook · Florentin, Tel Aviv
• MassivewearFacebook
• MAS972Facebook
• @mas972Instagram
• @masgraffitischoolInstagram
• YouTube@mas972
• TikTok@mas97203
• BehancePortfolio
• LinkedIn/in/mas972

For press & galleries

Press kit

Everything needed to write about or exhibit the work: biography, the copyright ruling, and print-resolution photography. No permission request necessary for the images below — the licences are already open. Credit as stated.

The short version

MAS972 is Yonatan Kochva, a multidisciplinary artist working between street art, design, technology and urban culture. Painting walls since 2001 and the first in Israel to build structured graffiti workshops. Commissioned murals across Israel and Europe, a curator of urban art exhibitions, and a gallery-selling artist. In December 2024 he won the case that established street art as copyright-protected work under Israeli law.

The ruling, in one paragraph

Kochva & Tabak v. Dahan Peretz, C.C. 39402-10-19, Tel Aviv-Yafo Magistrate’s Court, judgment 9 December 2024, Hon. Judge Ron Goldstein. Filed 2019. The court held that street art is entitled to the same copyright protection as any other artwork, including in public space, and found infringement of both the economic and moral right. ₪75,000 to Yonatan Kochva, ₪55,000 to the widow of the late Damian Tabak, plus ₪32,500 in costs and fees. Counsel: Tony Greenman and Omer Halevi.

Print-resolution images

Each link opens the original file. Up to 20 megapixels — large enough for full-page print.

• Custom House, Tel Aviv5472×3648 · 20 MP · Bukvoed · CC BY 4.0
• Shivat Tzion Street, Haifa4624×3472 · 16 MP · Nizzan Cohen · CC BY 4.0
• Moshe Maur Street, Tel Aviv4624×3472 · 16 MP · Nizzan Cohen · CC BY 4.0
• Park HaMesila, Tel Aviv4624×3472 · 16 MP · Nizzan Cohen · CC BY 4.0
• Shikmona Bezeq switchboard4624×3472 · 16 MP · Nizzan Cohen · CC BY 4.0
• Washington Street, Tel Aviv4624×3472 · 16 MP · Nizzan Cohen · CC BY 4.0
• Florentin, Tel Aviv2988×5312 · 16 MP · Ovedc · CC BY-SA 4.0
• Alfasi / Ben Atar corner, Tel Aviv4208×3120 · 13 MP · Nizzan Cohen · CC BY 4.0
• Alfasi / Ben Atar corner, Tel Aviv4208×3120 · 13 MP · Nizzan Cohen · CC BY 4.0
• Karpion King4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Mad Bunny4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Kofiko4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Panda4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Rat4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Mouse4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Turtle4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Chef4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Crocodile4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Falafel4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Looking Chiled4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• RAK HAYOM4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Kiryat Hamelacha, Tel Aviv4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Charles Clore beach, Tel Aviv4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• HaShaon beach4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Shlomo HaMelech Street, Jerusalem4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Rothschild Boulevard, Tel Aviv4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Petah Tikva Market I4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Petah Tikva Market II4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Petah Tikva Market III4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Petah Tikva Market IV4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Petah Tikva Kaktus4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Beit Hadar parking, Tel Aviv4624×2080 · 9.6 MP · Nizzan Cohen · CC BY 4.0
• Bring Them Home Now, Custom House— · hi-res · Nizzan Cohen · CC BY 4.0
• 4ever Fresh— · hi-res · — · CC BY-SA

Full archive ▸Wikidata ▸

Credit lines

Artwork: MAS972 (Yonatan Kochva). Photography as listed against each file — Nizzan Cohen, Bukvoed, Ovedc, Yaffa Phillips, Israel Preker / PikiWiki — under the Creative Commons licence shown. Both credits are required: the mural and the photograph are separate works with separate authors.

Contact

massivewear@gmail.com

+972 54 749 2111 · Tel Aviv, Israel

Contact

Let's make something.

massivewear@gmail.com

+972 54 749 2111

Tel Aviv, Israel

© Yonatan Kochva / MAS972. Reproduction without permission is not permitted — a principle established in court.